<span>Monthly Archives</span><h1>April 2014</h1>
    contemporary art, sculpture

    Mark Wallinger, Heaven (1988)

    April 20, 2014

    wallinger

    This sunday calls for a religious artwork, a blasphemous one even. What you see is a bird cage, a fishing lure and two pairs of mean looking hooks.

    It looks like a remake of Why Not Sneeze Rose Sélavy?, a birdcage which in 1921 Marcel Duchamp filled with sugar cubes. But we live in vicious times.

    Nothing appears to support the fish. Two fine strands of cat gut allow it to hover, as if on a cloud. Let’s call that an Easter miracle.

    It really is a fish out of water. The base of the cage is lined with the candy coloured gravel you would usually find in an aquarium. That much is easy on the eye.

    Heaven appears to be a cage with no exit and a dangerous incentive to break in. The hooks are man-size. Your way in might be through pain and coercion.

    But Jesus liked fishermen. He asked Simon and Andrew to become fishers of men. An artist must be a fisher of collectors, curators, critics and the public at large.

    So what can he or she do to grow an audience? Wallinger leaves one spellbound by a visual conundrum, a piece of heaven you can puzzle over.

    His heaven is quite an empty place, mind you, the only occupant a trap for big game. And that’s damning in all senses of the word.

    Jorge Luis Borges said: “I have always imagined that Paradise will be a kind of library”. If you also love art, you might just as well substitute library for gallery.

    Be warned however, if an artist snags you by the tongue, they will reel you in. You will find yourself talking about them whether you like it or not.

    This piece can be seen in Somewhat Abstract at Nottingham Contemporary until June 29 2014

    abstract painting, contemporary art, fashion, photography

    Jakob Dahlgren, Peinture abstraite (2001 – present)

    April 9, 2014

    dahlgren

    Artists often go too far. Sometimes it can seem that any art worth its salt has to do just that, to show some form of excess, to do something inordinately repetitive, or of course skilled.

    Jakob Dahlgren’s thirteen year-long durational project will have many scratching their heads, asking what is the point? But to provoke that very question seems to be the point.

    The Swedish artist has worn a striped t-shirt every day since 2001. There’s not much more to it than that. Although, apparently, he invites people to ‘curate’ the wardrobe for him.

    It might not sound too impressive. He has an archive of 1000s of numbered shirts. He has as many photos on an Instagram site. But the work’s very lack of gravity could indeed be his point.

    Dahlgren calls the work Peinture Abstraite and that smattering of French is not putting on airs. It is rather puncturing the work of those who have been historically content to paint coloured stripes.

    People are still painting stripes. In austerity Britain they are probably at it right now. And Dahlgren compares this no doubt serious endeavour with just so many sartorial decisions.

    He wouldn’t name names, but the artist said he drew inspiration from a range of artists whose work he didn’t very much like. He doesn’t like them, but they engage him.

    In turn, you might not like his t-shirt project. But if you are reading this, it is hoped that Peinture abstraite has engaged you in some way too. It fights fire with fire, decoration with decoration.

    And the fact he has just gone too far with the t-shirt idea, sporting them at weddings and funerals alike, just makes me warm to this deceptively simple piece.

    For the stripe painters out there, fear not. Dahlgren is not above picking up a brush, dusting off a worn t-shirt and painting what he sees. There’s no getting away from it.

    Peinture Abstraite can be seen at Fabrica, Brighton, until 26 May 2014. Check out Dahlgren’s Instagram site for more images and see the artist’s website for more info on the project.