Exhibition: Christen KÃ¸bke – Danish Master of Light, The National Gallery, London, until June 13 2010
This is an exhibition in which each painting’s title is as precise as the brushwork. View of a Street in Ã˜sterbro Outside Copenhagen, on the Right ‘Rosendal’, in the Background ‘Petersberg’ is a case in point.
The picture itself has the gloss and attention to detail of a still from a period drama. It is a leisurely street scene revealing Denmark to be a place of harmony and plenty. Yet the realities at time of painting, during the first half of the 19th century, were social unrest and economic collapse
As in much of the work of Christen KÃ¸bke a soft light picks out detail which may or may not be authentic. In Frederiksborg Castle, View Near the MÃ¸ntbro Bridge, he has no qualms about airbrushing a too-modern 18th century staircase out of the scene.
Elsewhere in Portrait of Naval Lieutenant D. Christian Schifter Feilberg he includes a small window, but the finicky touch appears reflected in the end of an epaulette.
There can be no doubt, KÃ¸bke was an idealist. Recent history, such as the Napoleonic Wars, may have ravaged his homeland but he responds with landscapes and portraits of meticulous calm and a warm, often rosy light.
The only hint of trouble is found in his bold compositions. The Danish painter crops buildings and goes with unusual perspectives.
In Roof Ridge of Frederiksborg Castle with a View of Lake, Town and Forest it is the sky which fills most of the canvas. But KÃ¸bkeâ€™s skies, whether blank, white and eternal, or filled with solid, static clouds also belie the passing of time.
Meanwhile, he paints the national flag, in View from Dosseringen Near the Sortedam Lake Looking Towards NÃ¸rrebro, with too much slow care for it to flutter.
But this was in one sense Denmark’s Golden Age. The arts were thriving. Both SÃ¸ren Kierkegaard and Hans Christian Andersen were then writing. These were the good times which KÃ¸bkeâ€™s aspic-like pictures did so well to preserve.
Written for Culture24.