Interview: Paul Watson

An artist and I stand on the summit of Whitehawk Hill, atop the hidden remains of a neolithic encampment. He is dressed in black, and smokes actual cigarettes, as I might have expected. Beyond that I’ve little idea how this meeting, with one of Folklore Twitter’s dark luminaries is about…

Book review: White Sight, Nicholas Mirzoeff

Nineteenth century civic statues are so boring. Colourless, elevated, obscure, pompous, they have, for a very long time, eluded questioning. To topple one of these monuments, to go so far as to dump one into the sea, is to make the whatever bronze idol, appear to us fresh, and in…

Interview: Sahej Rahal

The artist appears to have a simple and urgent proposition: to render the past absurd is to neutralise the rhetoric of the political right. Without a golden age to hark about, no one can promise to make America, the UK, or India ‘great again’. And we can instead progress to…

Ai Weiwei, Straight (2008-12)

There are two epicentres under consideration in this monumental installation at the Royal Academy right now. One was in Wenchuan County in Sechuan; the other is the government in Beijing. The first meant a quake that destroyed 20 schools. The second has monitored the ongoing work of China’s best known…