The scene was set for unprecedented hubris. En route to my first academic conference, I had passed my PhD viva days prior. In a matter of weeks I would be, officially, a doctor.

But would I be a doctor-on-board-this-plane?”

It’s an old gag: the Doctor of Philosophy who makes themselves known to cabin crew only to struggle when their knowledge of Etruscan pottery from the 5th century BCE is annihilated in the face of a life and death scenario.

But I was so high on my unexpected academic achievement, I might have tried to be a medical expert. Like a schoolboy, unable to resist shooting up my hand, and turning out to be a total imposter.

The flight passed off without incident however. I watched the latest Indiana Jones movie on the grounds that it was related to my research, but it failed to deliver. Not a good omen..

I landed in Calgary and took a bus to Banff. Getting dark, but I was experiencing the novelty of a North American highway, the sight of the SUVs and trucks with long-nosed cabs and the way that surroundings loomed and the general Twin Peaks ambience of the hotel. It was like entering a make-believe world.

I was also pleased that my roommate, Don, seemed chill, polite and sane: this was surely a very good start.

Next morning, after sleeping for 12 hours, I persuaded Don to visit the town’s famous cave with me. The Rockies, which enclosed us with peaks as high as 3,600m, were resplendent in manes of fog, caps of snow. The Bow River was a tumultuous cascade of noisily white water. So beautiful.

The cave was small but perfectly formed for bathing; at least that had happened once upon a time. Sulphur bubbled up from the sandy bottom of a deep warm pool.

We paid eight Canadian dollars to get in and, perhaps in order to get his money’s worth, Don overlooked the DO NOT TOUCH sign and trailed his fingers in the sulphuric waters. And succumbing to peer pressure, my oldest character flaw, I did the same.

We were soon to discover, from a helpful guide that contamination from human skin threatened the existence of an endangered species of snail which existed in no other spot upon God’s green earth. She pointed out a few of these unsuspecting snails, dark, tiny, and in slimy residence upon rafts of algae.

I was not so much an imposter at this point, as an outlaw.

Getting away with intrusions like this would soon become my primary objective as, in the course of three long days, I listened to a series of highly intelligent people expounding upon areas of vast expertise with great seriousness and understanding of the academic game.

My own slot was a Damoclean sword. I was the last speaker on one of the last panels on the final day. As the hour approached I found it harder and harder to believe I actually had a PhD. I was a snail-killing lightweight.

The conference opened with a reception where I put two of my most reliable skills to good use: eating canapés and drinking beers. But it was dawning on me, as certain introductions were made, and dedications were stated, that this was not just an academic affair, it was a chance for Canadians to meet other Canadians.

Having flown from the UK, representing a university few here might even know. I was to be sure an outlier of extreme unlikelihood. I’m not complaining. It was amazing to be here. But as each of the speakers celebrated one another and paid tribute to various tribes of First Nations peoples upon whose land we were conferencing, I felt surreally out of place.

I wanted to belong, who doesn’t? Especially when, as things got weird, a First Nations elder took the mic and led us on a guided meditation by which the assembled art historians could become buffalo walking into a vividly visualised storm.

Pablo Russell, the name of this guru, was surely one of the most inspirational speakers I have ever witnessed at work.

The UK timezone slipped away from me and I was slowly getting used to Banff time. Perhaps that was a step in the direction of belonging: falling asleep in sync with West Canada and waking up, refreshed, without needing to wonder, on Day 2, where the hell I was.

Don presented in the morning. A good panel, it was full of cool people doing cool projects. Co-panelists included a woman who had built a solar powered shed/archive, located on a frozen lake, for accumulating data from grass roots art projects nearby. There was also an an artist using climate data to make generative artworks formatted for social media. My roommate slotted in well, with his comparison of internet based platforms for visual art.*

By the time lunch came around I was familiar with a convention which found that the chair of every session would kick things off by apologizing to various tribes of First Nations people and thanking them for our continued presence on hereditary land. I can understand the need for this convention, but a rogue inner voice was nevertheless reassuring me that I had nothing to do with this particular form of colonization.

Packed lunch at hand, I sat on a coach and we drove into the National Park. I was here to take part in a ‘Walking Lab’ excursion to the site of a local derelict mine.

Let’s see, I thought, what these bastard settlers got up to here in this beautiful wilderness. I was quick to learn the term extractivism, and  I now look forward to applying it frequently to all manner of nefarious practices.

Walking Lab entailed dousing for minerals and water with copper pendulums and listening to a pirate FM station broadcast from a backpack belonging to one of the organisers. There were artistic performances by Leah Decter (self-acknowledged white settler) and Alana Bartol (an indigenous artist working with local plants).

At one point, I even became a participant in Decter’s mysterious performance and found myself literally tied to a piece of coal. But I ignored the symbolism. Regular reminders of the toxicity of this site amongst the ruins of a local power station, failed to prick my conscience. This was still someone else’s issue, or so I thought.

I attended every session I could in this two-day conference and was blown away by the standard of these delegates, blown away by their focus, poise, scholarly rigour and areas of fascinating research. Even the PhD candidates were intimidating in their professionalism. How could I ever pull this off?

That night there was the small matter of karaoke. I didn’t exactly jump at the opportunity, but there was really no other nightlife.

Armed with a can or two of local pale ale, I followed Don into one of the Banff Arts Centre artist studios where an energetic young woman was belting out a very terrific performance of Dancing in the Dark.

“I wanna change my clothes, my hair, my face”, she sang, and I couldn’t agree more.

Don was brave. Before long he was performing Space Oddity with all the poise of a young David Bowie exploring movement in one of his early mime-influenced persona. In this way Don conducted an actual countdown to Major Tom’s lift off and the room went beserk.

My room mate had achieved a measure of celebrity; I would clearly have to dust off my own tonsils and take part in this, this, this what? This gathering, this cult, this party, this ritual. Or Was it a social practice artwork?

I chose The Whole of the Moon by The Waterboys, and it triggered something for me.

Maybe the Celtic feel of the band brought up some ancestral memory; maybe it was the sentimental effect of the beer; maybe it was sharing a mic and a stage with representatives of the First Nations. Or sharing a stage with impressive academic speakers.

Whatever the case, karaoke, billed here as a ‘subversive methodology for making change’, WORKED when I made a glaringly obvious connection…

While planning this trip, my old man told me with a modicum of pride that as part of an Irish diaspora, my own grandfather had for a time lived here in Banff. As far as I know, he was not an invited guest of any First Nations tribe and were he to have used a gramophone or even an electric light, I was thereby fully implicated in the toxic legacy of the power station I had visited earlier that day.

Saturday was upon us, with no time to assimilate this bombshell, and I was due to present around 5pm. I had reread and rehearsed my paper, as if it contained the lyrics to a karaoke track. I had come alive to its limitations, its contradictions and its possible inaccuracies. I was in a word, worried.

There were six of us. We had 15 minites each. Subjects included tourism in Mammoth Cave, early flash photography with magnesium powder, the extractivist tendencies of photo film production, early experiments in stereoscopy including toy viewmaster viewing devices, a Life magazine feature on unborn children, and cave inspired NFTs. All fascinating. My own paper was on the first colour photographs of Lascaux in France.

Throughout my talk I encountered a few problems: 1) I was low on confidence, but hyped on adrenalin; 2) I tried to make eye contact with audience members as if it was a wedding speech; 3) I began to panic at the thought I had somehow missed out a whole page (I hadn’t); 4)I felt as if I tried to cover too much ground and that in places I was telling the audience stuff they already knew.

But I know for a fact that my paper also had some undeniable strengths: 1) my shirt was nicely ironed; 2) I kept to my time limit; 3) I had a swell picture of a bison 4) with my English accent I may also have had novelty value.

For most of the Q&A that followed, I sat under the lights and tried not to look like someone waking from a dream in which they have just sat an exam in the nude. The audience seemed more interested, rightly so, by my co-presenters. I was out in the cold, cold mountain air.

But Don, as heroic to me as Indiana Jones at that moment, brought me into the post-panel conversation with the final question of the day, and praise be, I was suddenly able to field it, and then, even deal with a follow up question. I have nightmares about Q&As.

After our chair, Sophie, wrapped up the session and two or three people even approached to thank me for an interesting talk. Let me tell you, that made my 8,000 mile round trip feel marginally less insane.

I said goodbye to Don at 6am the next morning and, after a bit more sleep, I headed into town to buy a souvenir or two. I would like to say that, this being grizzly country, I found a t-shirt with the legend “I Survived a Mauling”. That or a native American dream catcher, modified for very fragile professional dreams.

I got mentally prepared to head home and the journey was as smooth as the delivery of an assistant professor with several hundred citations.

No doctors were required on that plane either.

*Any artists reading this, who would like a ‘museum quality’ archive online, get in touch and I’ll connect you to Don Goodes. Meanwhile arts professionals of all descriptions are invited to take part in his survey. Please take part if you can!

Pretty soon we were sat in a meat-and-beer-focussed restaurant with a distant view of the castle to which K attempted, with only partial success as I remember it, to gain admittance in Kafka’s novel The Castle. And from our pavement table I could well see his predicament. Prague climbs, angular roof by roof, in cubist fashion from street level and tramline to the elevated perch of its former rulers. As I tucked into my goulash, I could see many ways in which it presents the eye with topographical challenges that are at once architectural and metaphysical. And as my eyes clambered up to this walled seat of authority which can’t have been more than a kilometre away, is it fair to say I felt the pitiless gaze of a nameless authority. Eyes turned back on me and my unsuspecting loved ones.

There seemed little way to explain this irrational feeling. But I felt an urgent need to pass it on somehow. So I lobbied for a visit to a whole museum devoted to Kafka where I felt that I might bequeath some of my paranoid worldview to Prof D, Little A, Nanu and Nani (as I will call my family members, for the sake of anonymity rather than literary conceit). I wanted to share. I wanted to be understood. I wanted to be a guide, so help me. But it was always something of a vain hope. Prof D, my wife, is a rationalist and a logician. Little A, while admittedly showing an interest in the fantastical premise of The Metamorphosis, is also far too sensible to attribute too much importance to worldly coincidence. Nanu, my father in-law, has literally written three books about positive thinking, rather than negative determinism. And Nani, my mother-in-law, whose number one hobby is prayer, would not be likely to recognise to the depressingly finite universe of K and his associates.

The Kafka Museum opened in 2005. In a city chiefly known for beer, a bridge and medieval, animatronic clock, it provides a valiant focal point for those interested in Prague’s literary heritage. By the time we had reached the museum, beer, bridge and clock had all been duly experienced. My four Prague neophytes had got a feel for the maze-like city planning, the weight of history in the medieval old town, and the precarity of a stable existence in the long-contested governance of the Czech part of central Europe. They were primed to wake up transformed, if not into beetles as such, then at least into fans of modernist literature (I should point out that my wife, Prof D, was in actual fact not not a fan. She has indeed read some Kafka, but woe betide me if I ever wake up beside her claiming to be a cockroach).

Prof D took it all in, therefore. The vintage photos, the early film, the sepia letters caught like insects in large vitrines. As I read these letters side by side with my wife (a feminist who works in academia on the topic of gender) I began to nervously realise that my hero Kafka was something of a player. I knew that he was in correspondence with a handful of women. But on the evidence assembled here – photos I was seeing for the first time – they were all three smoking hot, in a fin-de-siècle stylee. And the selective edit and translation here of Kafka’s ardent letters (the museum holds so many!) suggested he wasn’t quite as cripplingly shy as I had assumed from my own previous, and apparently blind, reading of his entire epistolary output. Yes, I ploughed through them all in the 90s. So if these buttoned up babes were on social media today, yer boy Franz would be so far gone into their DMs that I doubt any other writing of any sort would have got done. I looked at Prof D with trepidation. Would she decide that in our house we simply cancel the term Kafkaesque?

Prof D was, I realised with awful clarity, undertaking a full academic investigation of Kafka’s appeal to a person like me. And indeed, thanks to her I was making note more and more ways in which Kafka was coming to appear to me less and less Kafka like as the visit went on. He was, it now appeared, a bona fide professional when it came to the notary business, a model worker and a legal bro if you will. Prague may be in the historical region of Bohemia, but K had very little to do with the values we now call Bohemian. Kafka was more in debt to Jewish traditions such as Kabbalah, and… he had daddy issues. Prof D was drinking all this in. This place surely offered the chance to rebut her husband’s most oft misused epithet.

But another part of the museum was on more familiar ground. This was an L-shaped gallery, resembling a corridor of power, which held wall to wall filing cabinets. Certain of these were open to reveal first editions, manuscripts and other texts sacred to a fan of Kafka. Here were also vintage telephones, which connected to sonorous voices reading Kafka down the line. It would be terrifying, so went my reassuring thought, to pick up a ringing phone and receive an earful of The Trial. (All landlines are vintage now, it should be noted. At home I got rid of ours since the only callers were the network provider trying to upsell us product and angrily insistent scammers trying to access my laptop. I feel, as already stated, that Prague’s most famous son might have understood.)

But while we had been losing ourselves in visions of old Prague, Nanu, Nani and Little A had been out in the sunshine waiting patiently for this strange museum to exhaust our interest. Seems like it hadn’t worked. Neither my wife’s parents or our daughter had caught the vibe of laugh-out-loud guilt and paranoia which I’d hoped to inspire them with. Instead, Little A was suddenly to pronounce, “That’s absolutely disgusting!” I followed her gaze. Across the courtyard was a sculpture by David Černy which I swear had nothing to do with Kafka. Due to a charming water feature, two life-size male figures in tarnished bronze were engaged in a continuous pissing contest while a lake, the shape of the Czech republic formed around their ankles. It repulsed all four of my companions with good reason, who will doubtless now forever associate modernist literature with bodily excretions. (Hmmm, might work for Joyce).

Okay, so words on a page were found to pale beside an indelible visual image. Maybe, just maybe, thought I, a visit to the very castle which inspired The Castle will evoke the miserable hilarity of K’s life in a way that this museum, with its letters and printed material was always bound to fail to do. We planned for a whole day at this UNESCO World Heritage Site. In fact, it’s not a castle, it’s a walled village. A reasonably priced ticket afforded entrance to a harmonious romanesque basilica, a vaulting gothic cathedral, a more or less neoclassical palace and a medieval shopping street. At no time were we approached by strange characters, no doors were closed in our faces, and in no way did I feel that Kafka’s real life castle was withholding anything from us. After climbing more than 200 steps to reach the arched entrance it was disappointingly easy to access, not Kafkaesque at all.

In fact, having reminded the assembled party that this castle had a namesake in one of Kafka’s three famous novels, I began to worry that for Little A, Nanu, Nani and even Prof D, the term which I found so useful for evoking a sense of semi-mystical social control was coming to mean nothing but joining long queues and shuffling around churches. However, I also noted that the layout of these buildings was weirdly ad hoc. The cathedral cut across the vast square at a diagonal to all notions of common sense. This was a hint of sinisterly planned randomness that we were at least able to share.

In fact we did enjoy a bit of architectural dissonance on this trip; It caught the mood, because our four day city break included a sunset drink on the roof terrace of a building in an apparent state of drunken collapse. This was the fabulous nine-storey Dancing House, an office designed by Frank Gehry. It won the hearts and minds of my beloved fam where some more obscure literary motifs – hunger artists, cockroaches, and protagonists accused of nameless crimes – had failed. Our views across the Vitava River and the traffic ticking around across many bridges evoked a city where, life simply goes on, and Kafkaism is not really an everyday problem for the people who live here. It is just a concern for pretentious, ostentatious name droppers who once studied a little bit of literature and who try to dress up their otherwise totally pampered and charmed lives with gratuitous displays of existential pain. Whoever they may be.

Pain had so little to do with our stay in the city. Good food, yes. Sensational beer, yes, of course. But pain? No. Not until the very final moments. It was 10.00 AM and the five of us were on a street corner by the hotel ordering up an Uber ride. There was a train due to take us to Vienna at 11.00 AM. Reader, you know it’s annoying when the little toy car on the map in the app fails to move in your direction, and then it suddenly does, but then again changes direction, and it goes round in a little circle, and you cancel the first car, but then your next driver preforms the very same wiggle-dance all around the twisty streets of this unfamiliar city, and you cancel another ride, and a third driver does the same, and when the fourth driver comes you have most likely missed your train because a fifteen minute journey is now showing up on the app as likely to take half an hour. Then you reach the station. The train is delayed by ten minutes and you run, the lot of you, burdened down with cases like so much metaphorical emotional baggage, and you reach the platform and bravely up ahead there is Little A remonstrating with a conductor and the five of you clear the escalator and arrive on the platform just as the train, begins to move. That.

“Wow,” said Little A, “that’s not good”.

“Yes,” I agreed, guiltily, “It’s not even pre-ordained bad luck this time”.

The five of us turned around reluctantly and made our way to the ticket office to try and get a re-issue or a refund or replacements or anything which would get us on the next train out of Prague. We had no joy whatsoever with the representative of Czech railways. She was, indeed, like a brick wall dead end at the end of a complex labyrinth.

But I couldn’t even say it. Me, a person who dropped Kafkaesque into every conceivable scenario, couldn’t find a word for it. At breakfast, for some reason, I’d decreed we didn’t need to prebook a taxi from the hotel reception. My bad. I had come to Prague in search of Kafka. I had found instead the consequences of my own carelessness. It was I guess Marksheerinesque. Apologies to both sides of my family, but what a trip!

If you enjoyed this in anyway, please share in any way. Comments also welcome, I’ll try to respond to them all!!!!

Not content with the mild caravanning exploits of their parents’ generation, these two kids, now grown, were to eat up the miles and drink up the open road. They were questers from a time of yore, from the 1980s to be exact, in a mustard coloured hire car, a small Peugeot with adequate facility for cold and flavoursome beverages to remain upright and to hand. Even as the satnav directed us, Red took charge of the music. Music guided us equally well as google maps. The trip was characterised by banger after banger, if you can imagine that. The two former kids raced through village and town to the accompaniment of their uplifted voices: ‘Chooooooon!’ they would cry and the locals would look on in admiration despite their love of tradition.

Perhaps they knew. Perhaps those gentle shy men on wooden carts knew. Perhaps those aging babushka types who stared at the former kids simply knew. The secret, which only now we can share with the world, was this: we took this journey to settle scores with one another, to solve a conundrum which has haunted humanity since it first painted animals onto the walls of their caves: what is best? The natural world or the realm of signs? Let’s do this, we said, let’s settle this. Bro Trip ’23: BROmania would be the occasion of humanity’s first Nature vs Culture Smackdown. In the blue corner, there was Blue: a keen ornithologist and dog lover who would walk bravely among bears. In the red corner, there was Red: some kind of self-appointed art afficionado and reader of too many books. By the time the final whistle blew on the UEFA Champions League final, a whistle which, at midnight on our last day in Romania, would echo throughout Europe, we were to have sorted this question out. Once. And. For. All.

It started as a hoot, literally. Blue was at the wheel of his Tesla, en route to Luton airport. Beside him was Red, maintaining a companionable silence since it was too early for tunes. It was, reader, 6am. The roads were empty. The sky was wan. The world was but a ghost. But suddenly they both heard it, like a hallucination planted in their auditory cortexes: “twit twoo-ooo-ooo”. Nature-loving Blue was on the case, scanning the horizon like a sailor who knows that somewhere, over that blue line, is a sweetheart waiting to welcome him home.

Quick as a flash, he spotted it. “Barn owl at 11 O’clock” he shouted with requisite urgency. It was flying parallel to our deserted fenland A-road. “10 O’clock” he cried. “9”. Suddenly this great winged beast lilted in the direction of the car and flew past the Tesla windshield at point blank range. We could make out every feather together with the wise expression in its heart-shaped face. It was quite chilling. Not least for the fact that in the Bromania culture wars it was 1-0 to nature. And we hadn’t even left English soil.

Several hours later we had left that soil behind. We collected our hire car and Blue took the wheel. Red had the more complex task of controlling the playlist that would send us hurtling through Transylvania to the regular cries of ‘Choon!’. The road was long and the satnav was reliable. But then out of nowhere Red cried out. “Pull over! Pull over! Quick”. Blue did as he was told and, having parked safely, calmly said: “Your warm pullover is in your purple case, remember bro?”. “No!” he was told now, in no uncertain terms. “We must stop here to visit Cantacuzino Castle. This is where Little A’s all-time favourite teen gothic drama was filmed, Wednesday. This was Nevermore Academy”. And so it was. We spent half an hour strolling around this impressive, turreted pile in the village of Busteni in Translylvania. We took some photos. We got in back in the car. Solid point to Culture. 1-1.

It wasn’t long before Culture gained another point, or should I say ‘pint’? Yes, reader, these two forgotten kids were now of drinking age. They found their Airbnb, with stunning views across Brasov, with off road parking, with plenty of space, and while Blue unpacked, Red carried out the most important task of all: consulting the guidebook to find a quintessential local bar. We found one. We found a table. We found ourselves in an outdoor courtyard on a balmy June evening in a cosmopolitan city. We ordered Romanian beers from a lengthy menu, and, having said cheers and toasted the bro trip, we each took the first sips which were to signal to our limbic systems that our holidays had begun. I chose a draft pilsner. Blue chose a bottle of ginger and chilli beer. And we looked ahead to a week of adventures. NATURE HAS NO SUBSTITUTE FOR THIS! 2-1 to Culture.

Blue knew he was losing. He began to cheat. As a result next day he took us walking in a forested gorge. Between two madly high vertical cliff faces, one of which was knowns as God’s Wall. He insisted we follow the rock-strewn path of a dried-up stream which took us deep into the bear-infested forest. We met two other hikers. The first had a bell. To ward of bears. The second had a pocket siren and a can of mace. To ward off bears. We had nothing of the sort and they wished us good luck, which was nice. And it began to rain. We could see none of the rare mountain goats Blue had promised. This was surely nature at its very worst and I was about to suggest that Blue should lose a point, for being a total loser.

But then something amazing had to inevitably happen. We saw a fluttery shape amidst the crags. A bird known to Blue as a wallcreeper. I was the one to spot it. Eleven O’Clock I cried, giving him location intel in the militaristic language I know he likes. But then I realised that Blue had let me be the one to spot it. He’s good that way, he also checked I brought my pullover. Serious bird spot, mind you, ticked off! 2-2 in the nature/culture wars.

The next point to culture was an open goal. We decided to visit Transylvania’s number one tourist site: a castle with tenuous links to Vlad the Impaler who may or may not have been the inspiration behind the Dracula myth. It cut an imposing shape on the horizon as we both cruised through the surrounding village called Bran. Heads turned to see who these foreign kids were, blasting tunes as they rolled past. We parked up and climbed the steps to Count Dracula’s lair. The castle was an intricately put together network of chambers, courtyards, balconies and hidden staircases. Museum-like displays reminded us to be afraid, to be very afraid, and the point for culture was clinched by the exhibition of a small valise containing garlic, crucifixes, a short stake and a silver hammer: truly a vampire hunting kit if ever there was one. 3-2 to the expressive works of humankind.

It began to feel as if Blue had upped the ante, when he faux casually announced that the next agenda-ed activity was to meet a forest ranger who would drive us back deep into the trees where we would take our places in a hide and wait to witness the arrival of bears. For those cultural folk who don’t know what a hide is, well it’s basically a black box-like viewing space such as you might find showing an artist’s film in a well-curated gallery. Except, in one of these ‘hides’ you merely look at stuff in the outside world. It was wild. Especially when 13 brown bears rocked up. The ranger’s face was disfigured by a scar… once inflicted by a bear. I began to feel quite glad I was safe in the gallery, to use that term loosely. The bears were stealthy, emerging from all directions, before climbing back into the depths of their bosky habitat. And even an effete connoisseur of post-conceptual art like myself, had to recognise the thrill imparted by their power, presence and occasional bursts of speed. 3-3 to nature. Damn!

The next morning Red accepted Blue’s critical mission: to rise at 4am, kit ourselves out with binoculars, cameras and zoom lenses and then drive to a secret location in which we would hide the car and proceed on foot to the side of a private local lake…ALL BEFORE DAWN! Blue had tried to put Red off. It will be boring he said. But hey, there is nothing boring about parking in total darkness on the side of a dirt road and then trespassing on the grounds of a fish farm in a strange country 2,500km from home. I’ll admit it. I was nervous. But then the miracle occurred. An eerie orange light began to bleed upwards from the horizon and form hypnotic luminous tracery around clouds low in the morning sky. Blue was blasé. Back in Cambridge he carries out missions like this all.the.freaking.time. But Red literally could not remember seeing his last sunrise and had certainly never seen one quite like this. The light revealed the far side of the lake, the trees yonder, the silhouettes of swimming birds and the occasional motion blur of a jumping fish. Those fish were monsters. No wonder it was not long before a Romanian in a four by four appeared to evict us from his land.

Blue thought quickly. There were birds to be seen. What could this local fish farm manager possibly want? How did one say ‘please! I am an ornithologist’ in Romanian. Before I knew what was happening Blue was handing over money to the fish farm doorperson. It turns out he spoke the international language of money, which, of course, Blue speaks better than almost anyone else. The man drove off, leaving us free to observe a rollcall of fine feathered friends. Blue was able to verify the following: pygmy cormorants, an osprey, a lesser spotted eagle, herons (grey, squacco, purple and night), plus coots, terns. It was really something. In fact the herons were everywhere; it seemed as we walked the boundaries of this endless fish farm that every twenty paces we would disturb yet another and watch it fly across the water. They roosted together as if in a diorama of a natural history museum. This mission may have been outside Red’s comfort zone, but he felt compelled to hand it to Blue: your guys rock. I award this adventure one point for the sunrise, and one point for the diorama. The car was where we left it. 5-3 to nature.

Red was flagging. There were red flags everywhere. Face it, I thought, this is a beautiful corner of the (natural) world. There are snow capped peaks on seemingly all sides. The forests are dense and steeped in mystery. The fish farms are impressively stocked and Romanians are so blasé about their birdlife there wasn’t one of those so-called hides in sight. That’s when I decided to play a trick on Blue. I pranked him. In fact I punk’d him.

Blue, I said, or words to that effect. Why don’t we play a board game later? What you should know about Blue is that he loves board games almost as much as the avian world. He couldn’t resist. That evening we opened a bottle of white wine and convened over a deck of cards to play a game which Blue assured Red was simply called Mind. It was kind of fun, actually, and required vast amounts of intuition, collaboration, calculation and trust. Neither of us came out the winner because the object was to win or lose as a single team. We lost the warm up. But won our first proper game. That’s very rare, apparently, as rare as a wallcreeper! Get in! 5-4, culture was catching up with nature.

When I tell you that the following afternoon we met an AirBnB host called Ovid, named for a Latin poet, you might already be able to guess that the next point was to level the scores for Red and Blue. Ovid, however, was not a poet; he was a judge – albeit at the tender age of 36. But he was a very welcoming judge, directing us to our summer house, bringing us local alcoholic concoctions, and re-appearing at one point with a scythe in order to cut down the long grass which, until this point, was hiding our feet and ankles from him. He also talked, mainly of his dislike for Bulgarians. We were getting along famously until he observed, with calm appreciations, “I think you two are pretty conservative guys.” “No, No,” we protested, “We voted for Corbyn”. But, sadly, it transpired that Ovid would have preferred us to be as traditional as he was, with his wife indoors tending to the many kids, while he ventured out into the world to pass judgements. He cooked, warming through polenta in a cauldron over the fire, while hacking to pieces three huge blocks of cheese which were for melting in the boiled grain. It was, as Ovid told us repeatedly, the food of Romanian shepherds. And we were sheep, he seemed to indicate, governed by the woke left wing mind blob. 5-5.

The next day, after dreaming of visitors with scythes, we drove to Curtea de Arges. Ovid met us in town, on a break from judging, and directed us to the town’s two most notable sights. These were both places of worship, in which we could imagine him asking God to forgive us both. The first, Curtea de Arges Cathedral, had twisty columns that made the whole edifice appear unstable. The interior was coated with a tonne of gold leaf: many men with haloes gazed down on us. As paranoid as I was by now, Blue noticed Jesus, gazing down at us from the ceiling above the apse. We moved on. The second church we saw, St Nicholas, dated back to the 14th century. It too was painted wall to wall. Gregorian chanting was piped around the pillars as we both drifted around and got our fill of saints and bible stories. At one point I noticed Blue praying that his stock options would give him a maximum return on investment. Both of these Greek Orthodox were quite literally byzantine, and although I hate to hand it to Ovid, they were both sombre and wondrous. 6-5 to culture.

Red still had some weapons-grade culture in store. For in the nearby city of Târgu Jiu, which was, after all, the final destination of this Bro Trip, were a constellation of monumental outdoor sculptures by the peerless master of simplified form, Constantin Brâncusi. After checking into our hotel (parking the mustard Peugeot right outside, like the rock stars we knew ourselves to be) we found food and then wandered through a park towards a stone table surrounded by hour-glass shaped stools. This was the Table of Silence. It was lit up like a picture postcard. I sat there briefly, observing silence. But I was admonished by a 24-hour security guard, before I could take out a picnic. We wandered on. We saw a henge-like arch. This was the Gate of the Kiss: a popular spot for wedding photos. Then walking further and further along this axis of great art, we came to Endless Column. We passed a church and a railway line which, apparently, Brancusi had asked the city to relocate in order to preserve the integrity of his commissioned plan. His column of ‘rhomboidal modules’ (I cribbed that term from Wikipedia; thank you Jimmy Wales), rose some 30m high. Circling it in a park, at night, we could imagine it piercing the canopy of stars. Revisiting the monuments by day, the next morning, Endless Column came to a somewhat more abrupt end. 7-5 to culture, I would say.

Red was walking away with the crown, as he always does following an intense round of business deals with Blue. But then something happened. Our hotel receptionist had given us a piece of paper with a proposed itinerary for our final day. On this document was the name of a local cave: Polovragi. It must be said, we were both a little jaded. It was getting late in the week and, while money is no object for serious dealmakers, we were worried that waiting to join an expensive guided tour would be a bad deal. However, it was cheap. And the guy in the kiosk, just waved us in. We were left to explore. Spotlights revealed wonders of geology. Signage illuminated the facts behind the grotto’s numerous features. Our spelunking experience called for scrambling, ducking, traversing, and at one point I jumped off a rock, like a six year old might have done. This cave was totally amazing and I was only too happy to award Blue a further point. 7-6 to culture.

That evening we dined and drank. The warm weather, which had helped make the trip so memorable, afforded us the chance to sit at a table outside a bar and reflect on the joys of Bromania. I had a beer. Blue had a cocktail. I had another beer. Blue asked to see the cocktail menu again. When the (young, female) waitress came back to serve us, Blue had made his decision. “I’ll have an Orgasm,” he said. She didn’t understand English too well. “Give me an Org-Asm,” he said, helpfully. She didn’t understand. “I just want an Orgasm,” Blue said, raising his voice in the time-honoured fashion of an Englishman abroad. Heads turned. In the end he had to point to the item on the menu before she understood. The misunderstanding seemed to have gone on for ever. I was, of course, laughing. I told Blue that his ‘orgasm’ experience was one of the highlights of my trip and would need to score a point in the nature/culture war. Shamefacedly, he agreed. “8-6 to culture?” he asked, with an air of defeat. No, I assured him. His quest for an orgasm, even though it arrived in the form of a snowy white drink, was PURE NATURE. Final verdict (which one day I would love to have Ovid himself ratify): 7-7 to nature and to culture. The jury is still out, as perhaps it should be. Fangs, Blue, for the memories!

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