• Marcus Coates, Dawn Chorus (2007)

    Slow down birdsong. Imitate it with human vocal chords. Record that and bring it back up to speed. And what you have is an uncannily accurate impersonation of any given feathered friend. If you didn’t know this, and few will at first, the 2007 film installation Dawn Chorus looks like a well-executed one-liner. It looks …

    May 22, 2015
  • Interview: Glenn Ligon

    As if to demonstrate the centre cannot hold, debates around canonical art have shaken down to the East Midlands from a point of origin in New York’s Bronx. Nottingham Contemporary hosts a curatorial project by US artist Glenn Ligon. Thanks to a creative hang, the regional gallery has set up dialogues between some of the …

    May 17, 2015
  • Amanda Loomes, Relict Material (2015)

    In the servant quarters of a Regency Townhouse in Brighton, you can now see a film about one of the harshest jobs on the South Coast. Namely, dredging and processing aggregate for cement. And as if to stop the metropolitan art crowd from getting too cosy, civil engineer turned artist Loomes has projected her film …

    May 16, 2015
  • Nathan Coley, You Imagine What You Desire (2014)

    What a difference a new occasion makes. The last installation of You Imagine What You Desire was over 17,000 km away at a Biennial in Sydney. Now it appears in a festival in Brighton. But geography is the least of it. In Sydney it was on a gallery facade; in Brighton it is in an …

    May 12, 2015
  • Accessory to the fact: art in American Psycho

    Next year it will be 25 years since American Psycho by Bret Easton Ellis; in that time various crimes have been exposed in the banking industry. So it seemed timely to reread. But it’s not just about greed and Wall Street. It’s about fashion, food, designer goods and popular music. It’s hardly about art at all, but …

    April 27, 2015
  • Something for the wall: cave art on general sale

    While some consider we are now post-postmodern, it cannot be denied that we still live with many features of the condition identified by Jean-François Lyotard. My theory might be rusty, but it seems the internet has only heightened matters, and the age of simulacra is still very much with us. There’s no getting away from it, …

    April 15, 2015
  • Ian Hamilton Finlay, In Revolution Politics Become Nature (1980)

    A slogan is etched into a block of stone and the stone laid on a piece of red felt. There is something somewhat reverent about this inscription; the words carry weight and are to be handled with care. You read the title off the block. And then you read it in a different way off the …

    April 9, 2015
  • Johanna Billing, Pulheim Jam Session (2015)

    To be fair, all years have some groundbreaking music to recommend them. But 1975 was a good year for both jazz and urban planning in Germany. Who knew the two could go together? In Köln, Keith Jarrett played an improvised concert, the recording of which was to become the best-selling solo piano album of all …

    March 21, 2015
  • Wael Shawky, Cabaret Crusades (2010-2015)

    4000 years after their first use in Egypt, Wael Shawky has made marionettes a central part of his art practice, spooking the viewer with what some say is the oldest form of theatre. These puppets are not found objects. The artist has them made using glass and ceramic to render a cast of plenty, in …

    March 16, 2015
  • UK Exhibitions: March 2015

    I’ve been picking a monthly round up of art for a few years now, first on Culture24 and now on criticismism. If it’s not my imagination, this is getting more difficult. Cuts coming home to roost? It’s my unscientific impression galleries have got less likely to list forthcoming shows. It could be a sign they’re …

    March 1, 2015