A Monastic Trio

Three good souls are performing, and improvising, their way through a weekday afternoon; large paintings are taking shape in the barn where they congregate. The trio combine music, movement and the slow application of bright acrylic paint. They address the canvas with gestural emphasis, and respond to one another with…

Book review: White Sight, Nicholas Mirzoeff

Nineteenth century civic statues are so boring. Colourless, elevated, obscure, pompous, they have, for a very long time, eluded questioning. To topple one of these monuments, to go so far as to dump one into the sea, is to make the whatever bronze idol, appear to us fresh, and in…

Anathemata

There was an obvious first question raised by this densely packed show at Mostyn: ‘What is an Anathemata?’ Notes reveal it to mean a solemn blaming from the church. To be met with an anathemata results in excommunication. And this show gathers three writers who were famous outsiders and a…

Book: After Lockdown – A Metamorphosis, by Bruno Latour

After Lockdown is a slim analysis of life under covid, against the ongoing backdrop of the climate emergency. Latour offers us the possibility that this experience of remote working and super spreading could all offer a lasting change in our mentalities. It could be so radical we swap our human…

Daniel Pryde-Jarman at Sidney Nolan Trust

Sidney Nolan Trust is a bucolic arts centre, which nestles in a valley carved out by a glacier. Along with acres of green land, the late Australian artist’s Herefordshire estate comprises a calmly ramshackle residential home, a preserved studio overstocked with spray paint, and an outlying barn which has become…

Book: The White Birch: A Russian Reflection, by Tom Jeffreys

Somewhere between nature writing, cultural history and travel writing sits Tom Jeffreys’ companionable guide to Russia, The White Birch. His point of departure is a single species of tree. There are white birches in palatial gardens, botanical gardens, and protected forest; in nineteenth century landscape paintings, realist novels, dissident poetry…

Eimear Walshe, The Land Question: Where the fuck am I supposed to have sex? (2021)

History, says Eimear Walshe, with a look that could kill, is interesting. And the history of Ireland, related in her film, is a sorry one in which the poorest have always suffered the worst. So once, as landlords expanded their estates, you had the eviction of tenant farmers in Ireland’s…

Karla Black, Waiver for Shade (2021)

Taking a break from her hallmark candy-coloured sculptures, Karla Black has responded to a former warehouse at Fruitmarket with an installation comprising a ton or so of black soil. The light is low, here, in the gallery’s new space. But the minimal illumination is amplified by the introduction of gold…