• Andrew Sim, two rainbows and a forest of plants and trees (2024)

    Urban nature is my favourite kind. Parks where ice cream is sold. Botanical gardens serving good coffee. Flower shows curated like art festivals. Tree lined streets leading to civic amenities. And, of course, residential gardens which allow metropolitan types to contemplate collections of plants, ready and to hand, like the contents of bookshelf. Nobody ever …

    May 28, 2024
  • Tyler Green, Carleton Watkins: Making the West American (2018)

    Carleton Watkins made photographs that secured business deals for industrialists. He made photographs that offered conclusive scientific proof to geologists. He made photographs that were both commodities and souvenirs. And he even made photographs in order to give evidence in corporate law. Dominated thus by clients, Watkins is presented, in Tyler Green’s 2018 biography, squarely, …

    May 22, 2024
  • Interview: Paul Watson

    An artist and I stand on the summit of Whitehawk Hill, atop the hidden remains of a neolithic encampment. He is dressed in black, and smokes actual cigarettes, as I might have expected. Beyond that I’ve little idea how this meeting, with one of Folklore Twitter’s dark luminaries is about to play out. The setting, …

    May 16, 2024
  • Urine: a survey

    Piss is having a comeback in art, though some will argue that it never went away. As far as my generation is concerned this bodily fluid burst onto the scene when American artist Andre Serrano sank a crucifix into a case of his own urine and photographed the result. Piss Christ had such a cultural …

    April 9, 2024
  • The Last Supper, again and again

    It was as startling as a ghost. The door was ajar and in the Church of Sant’Ambrogio; it was dark and cool. I looked around me: a medieval christ on the cross; a gothic statuette of Saint Ambrose with a barbed flail; a faint fresco of the mother of God from a c.1300. But none …

    April 2, 2024
  • A Monastic Trio

    Three good souls are performing, and improvising, their way through a weekday afternoon; large paintings are taking shape in the barn where they congregate. The trio combine music, movement and the slow application of bright acrylic paint. They address the canvas with gestural emphasis, and respond to one another with alacrity. For most of the …

    February 8, 2024