• Simon, Numbers (2015)

    He doesn’t sound like an artist. Without a surname he sounds like a character from a child’s game. His paintings don’t look like paintings. They look like price tags. But Numbers is a certainly a work of art. It undermines its own claim to genius, immateriality, aura and transcendence, so in this day and age …

    December 10, 2015
  • Interview: Karelle Ménine

    The technical challenges of poetry have usually to do with meter, rhyme and form. In Mons this year, the greatest poetic achievements have all been around measuring buildings and tracking down their owners. By the end of December, the results will be 10km of verse painted onto the city’s stony grey facades. This single, sinuous …

    December 3, 2015
  • George Barber, Fences Make Senses (2015)

    It happened so fast. I heard a rip, saw a blur of yellow tarpaulin, and then saw the panicking youth. He dropped down onto City Road and began to sprint in the direction of Islington. The lorry driver, who was already on the pavement and could have come from anywhere in Europe, had a few words …

    November 27, 2015
  • Bob and Roberta Smith, Letter to George Osborne (2015)

    You cannot help but wonder: did a 50-line letter painted onto the front and rear of a pair of white radiator units have any incidental effect on government policy? Did it really spark a heated debate? Beyond the headlines about tax credits, the Autumn Statement revealed that the Arts Council can also breathe a sigh …

    November 26, 2015
  • Mikhail Karikis, SeaWomen (2012)

    The baddest gang on the planet don’t ride Harleys out into the California desert. They ride mopeds around a South Korean island and dive for octopus in the choppy North Pacific. Bad-meaning-good is maybe not the word, but the sea-women are certainly tough cookies. Aged between 60 and 90, they explode all your preconceptions about …

    November 26, 2015
  • Morley Threads @ Backlit

    In the late 19th century, a wool factory in Alfred House, Nottingham, became an asset of the largest wool manufacturing company in the world. Now the premises are an artist-led studio space. On the face of it, artists have plenty in common with textile workers. Low pay, hazardous conditions (albeit psychologically speaking) and, in the …

    November 19, 2015
  • Corinna Spencer, Portrait of a Lady (2015)

    There is something maddening about Corinna Spencer’s installation. Her 1,000 portraits have a compulsive, destructive streak which would surely destroy the mental equilibrium of any sitter. The lady in question is already disintegrating. Eyes look out from somewhere behind the face. The lipstick is smeared on quick, perhaps as if for a public appearance in Bedlam. Each …

    November 5, 2015
  • Theodore Price, COBRA RES 1.9 (2015)

    For those of you blissfully unaware, COBRA stands for Cabinet Office Briefing Room A, and despite first appearances the acronym has nothing to do with James Bond. COBRA meetings are convened by the Prime Minister in times of special crisis. And in the UK we tend to lurch from crisis to crisis; this in no way …

    October 30, 2015
  • Man, the Dragon and Death @ MAC’s

    The disappointing 1998 movie Godzilla was launched upon the public with the tagline, ‘Size does matter’. It was not a great film, so at least where monsters are concerned, big is not always better. 17 years on, the size debate may be re-ignited at Belgian gallery MAC’s. Here you’ll find a show given over to …

    October 24, 2015
  • Duncan Poulton, No Body (2015)

    Mimesis, which has been doing the rounds in art since ancient Egypt, reaches a terminal point in this 15-minute film by recent graduate Duncan Poulton (what you see above is just a cut down version). They may not be artists. It is hard to imagine them with such pretensions. But out there on the web …

    October 19, 2015