• Mikhail Karikis, SeaWomen (2012)

    The baddest gang on the planet don’t ride Harleys out into the California desert. They ride mopeds around a South Korean island and dive for octopus in the choppy North Pacific. Bad-meaning-good is maybe not the word, but the sea-women are certainly tough cookies. Aged between 60 and 90, they explode all your preconceptions about …

    November 26, 2015
  • Morley Threads @ Backlit

    In the late 19th century, a wool factory in Alfred House, Nottingham, became an asset of the largest wool manufacturing company in the world. Now the premises are an artist-led studio space. On the face of it, artists have plenty in common with textile workers. Low pay, hazardous conditions (albeit psychologically speaking) and, in the …

    November 19, 2015
  • Corinna Spencer, Portrait of a Lady (2015)

    There is something maddening about Corinna Spencer’s installation. Her 1,000 portraits have a compulsive, destructive streak which would surely destroy the mental equilibrium of any sitter. The lady in question is already disintegrating. Eyes look out from somewhere behind the face. The lipstick is smeared on quick, perhaps as if for a public appearance in Bedlam. Each …

    November 5, 2015
  • Theodore Price, COBRA RES 1.9 (2015)

    For those of you blissfully unaware, COBRA stands for Cabinet Office Briefing Room A, and despite first appearances the acronym has nothing to do with James Bond. COBRA meetings are convened by the Prime Minister in times of special crisis. And in the UK we tend to lurch from crisis to crisis; this in no way …

    October 30, 2015
  • Man, the Dragon and Death @ MAC’s

    The disappointing 1998 movie Godzilla was launched upon the public with the tagline, ‘Size does matter’. It was not a great film, so at least where monsters are concerned, big is not always better. 17 years on, the size debate may be re-ignited at Belgian gallery MAC’s. Here you’ll find a show given over to …

    October 24, 2015
  • Duncan Poulton, No Body (2015)

    Mimesis, which has been doing the rounds in art since ancient Egypt, reaches a terminal point in this 15-minute film by recent graduate Duncan Poulton (what you see above is just a cut down version). They may not be artists. It is hard to imagine them with such pretensions. But out there on the web …

    October 19, 2015
  • Carsten Höller, Karussell (1999)

    It’s just a working carousel in an art gallery, no big deal. We are not only used to such wholesale borrowings from the real world, we might expect as much from Carsten Hölller. This Belgian, after all, is the artist responsible for turning Tate Modern and Hayward Gallery into theme parks (as if they weren’t …

    October 18, 2015
  • Nicole Wermers, Untitled Chairs (2015)

    Last night I dreamed about this, my least favourite piece of art from the 2015 Turner Prize exhibition in Glasgow. What you see, is what I thought I was getting: fur coats on chairs. The coats are actually sewn around the chairs. So this is presented as a comment on claiming space in an urban environment. …

    October 9, 2015
  • Brent Wadden, Alignment #53 (2015)

    There’s a great warmth that comes from the ragged, woolly presence of Brent Wadden’s large (two by two and a half metres) woven work. You might even say its tactile qualities are cosy. But the design is less comfortable: irregular, patched together in haste, an austere black and white. He doesn’t use much technology, but …

    October 8, 2015
  • Bonnie Camplin, Patterns (2015)

    There are certain areas of human experience which don’t get on the news, don’t get written into soap opera plotlines and evade the attention of reality TV. They are pretty much off the menu. But testimony does survive around, say, mind control, belief in ESP, perception of extra-dimensional beings, witchcraft, fringe religious beliefs and a general …

    October 6, 2015