• Zara Wood, Creating Characters (2012)

    For anyone who likes their girls with a sublimated death drive, please find above chain smoker Nicole, one of ten new characters by artist and illustrator Zara Wood. That‘s artist and illustrator. And it could be argued that distinctions between the two roles come down to a position with regards to the written word. Woods …

    May 27, 2012
  • Iain Forsyth and Jane Pollard, Performer. Audience. Fuck Off. (2012)

    Is Brighton too cosy for a performance piece with the f-word in the title. Certainly by the end of Jo Neary’s performance on Saturday 12th it appeared that way. Most of the audience may have relieved that this local comedienne chose to say, mainly, nice things about us as she adlibbed her way through a …

    May 22, 2012
  • Found Objects 21/05/12

    In case you missed the unmissable, here are this week’s links: The Guardian argues, selflessly, that the Parthenon marbles belong in Greece, and sadly appears to be right. Dana Schutz, who makes a virtue of painting’s limitations, is celebrated on Hyperallergic, and her work photographs well. Tracey Emin gets another feminist endorsement as novelist Jeanette …

    May 21, 2012
  • Trainofthoughts @ The Horse Hospital

    You might think it’s a first world problem or a high class issue, but just how does a human being get through a seven hour traffic jam? Such was the predicament of Micheál O’Connell, aka Mocksim, snarled up on the M25 in what it soon emerged would be a history-making tailback. But while his phone …

    May 14, 2012
  • Found Objects 14/05/12

    Blimey, there is a lot to read this week: The New Aesthetic was much discussed. JJ Charlesworth puts it into a wider context of post-humanist thinking and behavioural economics. Writing for the L Magazine, Paddy Johnson meanwhile dismisses the movement, calling the New Aesthetic a “tumblr paired with a lecture circuit”. Hyperallergic, meanwhile, opt to …

    May 14, 2012
  • Found Objects 07/05/12

    Between headline auction lots and art fair admission fees, it’s been an expensive week in the artworld: So, The Scream provokes an outcry. You can see the final suave, diabolical moments of its public appearance in this Telegraph video But do high prices merely advertise the auction system itself? Jerry Saltz thinks so and hates …

    May 7, 2012
  • Interview: Corinna Spencer

    New touring exhibition Tainted Love positions itself somewhere between group show and group therapy. Twelve artists have produced work with the theme of obsessive, one-sided love. At least they will now have company. “We’ve transformed the gallery with these partitions,” says artist and curator Corinna Spencer, speaking on the phone midway through the installation at …

    May 4, 2012
  • Found Objects 30/04/12

    Quite a newsy Found Objects this week, so hold page 23: German artists threaten to guillotine a sheep if the public don’t vote to save it. Let’s hope it has the X Factor; story in The Telegraph. Larissa Sansour has reimagined Palestine as a tower block. But the Swiss Musée d’Elysée got cold feet, or …

    April 30, 2012
  • Vera Kox, If I should loose the reason, can I choose again II, 2012

    This bench-like sculpture is made with showermats. The candy covered suckers draw the eye and hold the attention, so this work could be the most attractive in its show. But it seems perverse to pick out one artwork from an exhibition which was all about the interplay between pieces by Kox and her friend the …

    April 29, 2012