• Interview: Corinna Spencer

    New touring exhibition Tainted Love positions itself somewhere between group show and group therapy. Twelve artists have produced work with the theme of obsessive, one-sided love. At least they will now have company. “We’ve transformed the gallery with these partitions,” says artist and curator Corinna Spencer, speaking on the phone midway through the installation at …

    May 4, 2012
  • Found Objects 30/04/12

    Quite a newsy Found Objects this week, so hold page 23: German artists threaten to guillotine a sheep if the public don’t vote to save it. Let’s hope it has the X Factor; story in The Telegraph. Larissa Sansour has reimagined Palestine as a tower block. But the Swiss Musée d’Elysée got cold feet, or …

    April 30, 2012
  • Vera Kox, If I should loose the reason, can I choose again II, 2012

    This bench-like sculpture is made with showermats. The candy covered suckers draw the eye and hold the attention, so this work could be the most attractive in its show. But it seems perverse to pick out one artwork from an exhibition which was all about the interplay between pieces by Kox and her friend the …

    April 29, 2012
  • Matt Collishaw, The End of Innocence (2012)

    One of the more surprising things you might hear about the work of Francis Bacon is that one of his paintings hangs in a museum at the Vatican. The work is a study for a better known painting of Pope Innocent X. In the subsequent work his holiness appears in a gold cage screaming blue …

    April 28, 2012
  • Found Objects 23/04/12

    Another frenzy of links from the last seven days: Is anyone using Artstack yet, or is everyone using it already? *panics* Whatever the case here’s an enticing primer from the Guardian. As a victim of procrastination, I love this curated twitter stream by media artist Cory Arcangel: wrknonmynovel or “working on my novel”. Daily Serving …

    April 23, 2012
  • Art in the Cultural Olympiad, London 2012

    It is the largest cultural celebration in the history of the modern Olympics, but you could be forgiven for letting the 2012 Cultural Olympiad pass you by so far. And if it conjures images of community dance projects and corporate sponsors holding up giant cheques at photo calls, you may be trying to ignore it …

    April 19, 2012
  • Found Objects 16/04/12

    More links to edify and entertain: Plimack Mangold demonstrates you can stay at home, paint and still be conceptual. That’s what gets so well argued in this essay by John Yau on Hyperallergic (Parts one, two and three) Everyone’s favourite least-favourite art critic now has his own two part sampleboard on a website dedicated to …

    April 16, 2012
  • Eva and Franco Mattes aka 0100101110101101.ORG, Freedom (2011)

    Freedom from Eva and Franco Mattes aka 01.ORG on Vimeo. In the terms of the ongoing wars, there is really only one side you or I can be on in the infiinte struggle between freedom and tyranny. But Eva and Franco Mattes have questioned the extent of that freedom, with a novel approach to playing …

    April 14, 2012
  • Found Objects 09/04/12

    For no real reason, this week is a Bank Holiday special: It’s always good to hear what the animal world might have to tell us. Guardian chats with their spokesman Marcus Coates (via @LizzieHom.) Beverley Knowles writes up a pleasing memory feat and takes in art, human rights and, emo. Intrigued? 90% of guns seized …

    April 9, 2012
  • Damien Hirst, Lapdancer (2006)

    If needing just one word to sum up Damien Hirst at Tate Modern, you might resort to some made up slang invented for a work of dystopian fiction. The violence of his killed and pickled animals is horrorshow, as is the vitrine pictured. Real horrorshow, the ultimate accolade for gang member Alex in A Clockwork …

    April 8, 2012