Rachael Champion, Naturally Occurring  Brutalist Structure (2013)

An observation: spheres of Perspex and pea shingle have gravity in the same way that planets do. This piece by Rachael Champion has neither colour nor much visual stimuli, yet it has pull. Taken in isolation, gravel, pebbledash, and industrial tiling are unlovely things. And no one could argue this sculpture…

Alan Magee, Return to glory (2014)

Two disks grace the gallery. One sits on the floor. One hangs on the wall. Looking closer, their outer rims can be identified as hula hoops. But there will be no gyrating here today. Both hoops have been measured up for a plasterboard inner, and worked over with filler to…

Simon Lewandowski, 100 Things With Handles (2008)

When confronted with a work of contemporary art, it is common to look for a handle. But it is not always easy to get to grips with an abstract sculpture or an assemblage. You could go to the press release. After all, that’s what a reviewer will do. But then…

Photodiary: Whitstable Biennale 2014

Last Saturday I spent eight or so intense hours hot footing it around a coastal town in South East England in search of the many artworks which make up Whitstable Biennale. The coach dropped us at the Horsebridge Arts Centre, in which could be seen a wry excavation of 35-year-old television…

Jakob Dahlgren, Peinture abstraite (2001 – present)

Artists often go too far. Sometimes it can seem that any art worth its salt has to do just that, to show some form of excess, to do something inordinately repetitive, or of course skilled. Jakob Dahlgren’s thirteen year-long durational project will have many scratching their heads, asking what is…

David Blandy, Adam Rutherford and Daniel Locke, Helix (2014)

The first human to live for 500 years has already been born. So suggests a digital graphic novel by artist David Blandy, illustrator Daniel Locke and writer Adam Rutherford. Helix launches next month and promises users the chance to interact with spider goats, DJ Kool Herc, Crick and Watson and…