Browsing Category: contemporary art

  • Peter Wächtler, Untitled (2013)

    The perversity on display here is not the a tergo position adopted by the blonde mistress or the rake so drunk he has fallen out of the large double bed. No the perversity is that Wächtler uses a medium as gentle as watercolour to incriminate the bad behaviour of this fornicating sot and his willing …

    October 7, 2014
  • Rachael Champion, Naturally Occurring  Brutalist Structure (2013)

    An observation: spheres of Perspex and pea shingle have gravity in the same way that planets do. This piece by Rachael Champion has neither colour nor much visual stimuli, yet it has pull. Taken in isolation, gravel, pebbledash, and industrial tiling are unlovely things. And no one could argue this sculpture has much conventional beauty. But, …

    September 23, 2014
  • Alan Magee, Return to glory (2014)

    Two disks grace the gallery. One sits on the floor. One hangs on the wall. Looking closer, their outer rims can be identified as hula hoops. But there will be no gyrating here today. Both hoops have been measured up for a plasterboard inner, and worked over with filler to produce an artwork. So that …

    September 10, 2014
  • Simon Lewandowski, 100 Things With Handles (2008)

    When confronted with a work of contemporary art, it is common to look for a handle. But it is not always easy to get to grips with an abstract sculpture or an assemblage. You could go to the press release. After all, that’s what a reviewer will do. But then every so often a piece …

    August 19, 2014
  • Photodiary: Whitstable Biennale 2014

    Last Saturday I spent eight or so intense hours hot footing it around a coastal town in South East England in search of the many artworks which make up Whitstable Biennale. The coach dropped us at the Horsebridge Arts Centre, in which could be seen a wry excavation of 35-year-old television drama ,Sapphire and Steel, in …

    June 8, 2014
  • Mark Wallinger, Heaven (1988)

    This sunday calls for a religious artwork, a blasphemous one even. What you see is a bird cage, a fishing lure and two pairs of mean looking hooks. It looks like a remake of Why Not Sneeze Rose Sélavy?, a birdcage which in 1921 Marcel Duchamp filled with sugar cubes. But we live in vicious times. …

    April 20, 2014
  • Jakob Dahlgren, Peinture abstraite (2001 – present)

    Artists often go too far. Sometimes it can seem that any art worth its salt has to do just that, to show some form of excess, to do something inordinately repetitive, or of course skilled. Jakob Dahlgren’s thirteen year-long durational project will have many scratching their heads, asking what is the point? But to provoke …

    April 9, 2014
  • David Blandy, Adam Rutherford and Daniel Locke, Helix (2014)

    The first human to live for 500 years has already been born. So suggests a digital graphic novel by artist David Blandy, illustrator Daniel Locke and writer Adam Rutherford. Helix launches next month and promises users the chance to interact with spider goats, DJ Kool Herc, Crick and Watson and the Great God Pan. But …

    March 21, 2014
  • Photo diary: Marrakech Biennale 5

    I lucked out with this: a press trip to the fifth Marrakech Biennale. Having never before visited North Africa, culture shock kicked in before we had even checked in at the (palatial) hotel. As you see from this piece of guerilla marketing, the event asks ‘Where are we now?’. On my first night I was …

    March 7, 2014
  • John Skoog: Redoubt (2014)

    As if they know what awaits them in adult life, children are drawn to castles, fortresses and hideaways. This was also perhaps the case for John Skoog. The Swedish artist tells me he grew up 40 minutes from the mother of all imaginary dens: a bunker, made in response to WWII, which took one man …

    February 12, 2014