George Barber, Fences Make Senses (2015)

It happened so fast. I heard a rip, saw a blur of yellow tarpaulin, and then saw the panicking youth. He dropped down onto City Road and began to sprint in the direction of Islington. The lorry driver, who was already on the pavement and could have come from anywhere in…

Ragnar Kjartansson, The Visitors (2012)

Hard not to like an artist who is unafraid to quote his dad in an interview (as you can see Kjartansson does in the footage above): “It’s sad and beautiful to be a human being”. There’s also an honesty about his subject matter in The Visitors. It’s not about poverty,…

Photodiary: Whitstable Biennale 2014

Last Saturday I spent eight or so intense hours hot footing it around a coastal town in South East England in search of the many artworks which make up Whitstable Biennale. The coach dropped us at the Horsebridge Arts Centre, in which could be seen a wry excavation of 35-year-old television…

Mark Leckey, GreenScreenRefrigeratorAction (2010)

The fridge looks nothing like my fridge. In truth it is more like a “dark mirror”, a “walled garden” or a “monstrous insect”, all comparisons made by an anguished, robotic first person voiceover. Manufacturers Samsung surely realise they are in the business of fabricating metaphors. How else could they justify…

Antony Gormley/Tomoko Takahashi/Alice Neel/Ed Pien/Jorge Santos/Simon Yuill

Recent reviews and previews written for Culture24. Check ’em out: Review: Antony Gormley – Critical Mass, De La Warr Pavilion, Bexhill-on-Sea Review: Tomoko Takahashi – Introspective Retrospective, De La Warr Pavilion, Bexhill-on-Sea Review: Alice Neel – Painted Truths, Whitechapel Gallery, London Preview: Ed Pien – Memento, New Art Exchange, Nottingham…