Karla Black, Waiver for Shade (2021)

Taking a break from her hallmark candy-coloured sculptures, Karla Black has responded to a former warehouse at Fruitmarket with an installation comprising a ton or so of black soil. The light is low, here, in the gallery’s new space. But the minimal illumination is amplified by the introduction of gold…

Danh Vo, Das Beste oder Nichts (2010)

Where you might expect to find a detail such as ‘oil on canvas’, or ‘cast bronze’, or even ‘car engine’, Vo gives us the full scoop on his indecorous found object. A wall plaque opens the bonnet. Indeed. This contemporary sculpture is comprised of “The engine of the artist’s father Phung Vo’s…

Mike Nelson at Camden Arts Centre, 1998/2010

Studio Apparatus for Camden Arts Centre – An Introductory Structure: Introduction; a lexicon of phenomenon and information association; futurobjectics (in three sections), mysterious island*, or Temporary Monument *See Introduction The full title of Mike Nelson’s work is so verbose there’s no room for anything else in that opening paragraph. It…

Ben Washington, I Will Eat This Sleepy Town (installation detail), 2011

For all the world you expect this image to move. It is a back lit screen with a casing as substantial as a cathode ray tube. We have come to expect computerised tablets to sing and dance, why not this? But no matter how long you watch, the piece is…

Antony Gormley/Tomoko Takahashi/Alice Neel/Ed Pien/Jorge Santos/Simon Yuill

Recent reviews and previews written for Culture24. Check ’em out: Review: Antony Gormley – Critical Mass, De La Warr Pavilion, Bexhill-on-Sea Review: Tomoko Takahashi – Introspective Retrospective, De La Warr Pavilion, Bexhill-on-Sea Review: Alice Neel – Painted Truths, Whitechapel Gallery, London Preview: Ed Pien – Memento, New Art Exchange, Nottingham…