Janet Cardiff, The Forty Part Motet (2001)
When a gallery is a deconsecrated church and the artwork is a piece of religious music, walking in is a hair’s breadth from turning up for Sunday worship. It’s humbling, even humiliating. The early choral work, Spem in Alium by Thomas Tallis, is drawing people in off the street, nevertheless. This is one church that’s …
May 11, 2011