Liverpool doesn’t have a prehistoric cave, but it does have a historic Cavern. So it might prove not too much of a distraction from writing on paleolithic art.Â Beyond the Beatles heritage trail and the football, it had become a centre for visual arts in the UK.
It is also, one might argue, a marker for the benefits of remaining in Europe. The EU has invested more than Â£1.6 billion into this city, constructing and reconstructing an airport, a cruise terminal, two cathedrals and the Bluecoat gallery, etc.Â In 2008, Liverpool won its bid to become the European Capital of Culture. The city was filled with excitement, with spectacle, and with international art, thanks to an expanded role for the city’s Biennial, which began life in 1999.
My first visit to Liverpool was in 2010, for a Biennial with the theme ‘Touched”. And I was duly moved, maddened and changed by the things I saw there. Touched remains a personal touchstone 10 years on, an example of how art can inhabit an entire city.
At artist-led studio and gallery space The Royal Standard, I spoke to an artist and critic who already had plenty to say about art in Liverpool: Laura Robertson. Together with writer Mike Pinnington, she now runs The Double Negative, a visual arts blog oriented around the North West. Their new crowd-funded publication, Present Tense, forms the occasion for this post.
Together with Laura and Mike, six writers have explored aspects of the City of Culture’s legacy: in the form of public sculpture, digital culture, zines and even gardening. it also features an interview with John Walter, whose personal slice of cultural legacy includes the purchase of recent works by the venerable Walker Gallery.
Unlike some art writing, Present Tense is accessible in tone and digestible in format. A pocket-sized paperback with judicious black and white photography, it will sit well on the shelf next to the compact catalogue for the 2010 Biennial and act as a beacon for my own writing, thanks to its clear understanding of what is at stake in discussions on art.
But we cannot ignore the fact that this is a very tense present, and the prospect of sailing away on a small austere island with disaster capitalists at the helm is alarming.
Yet in Liverpool we find a city which has survived dark days and periods of so-called ‘managed decline’. Â Whatever its legacy now, we must remember years like 2008 (or 2010!) Â if we’re ever to see their like again.
Present Tense is available from The Double Negative for Â£14.99. See here for more details.