• João Maria Gusmão + Pedro Paiva, Glossolalia [Good Morning] (2014)

    “There’s a metaphor in there somewhere,” says Guardian critic Adrian Searle, as he contemplates this film. criticismism would like to pick up on those words: parrot fashion, naturally. But that is what Glossolalia makes me think of: art criticism, mimicry and even plagiarism. To look at reviews for this pair of Portuguese artists certain phrases do …

    February 12, 2015
  • Ruth Ewan, Back to the Fields (2015)

    While this show must have been a logistical headache, the extensive catalogue of objects in Back to the Fields points to an impossible dream. And it’s the most beautiful and sad dream: revolution. This is not the first time Ewan has visited post-revolutionary France. You can read about her doomed experiment at Folkestone in 2011. That was …

    February 12, 2015
  • UK Exhibitions: February 2015

    Welcome back to the new monthly survey of great shows from public institutions who’ve got their act together online. Cold outside, but it’s quite warm in the UK’s galleries. James Bridle: Seamless Transitions, The Photographers’ Gallery, London, 6 Feb – 15 Apr. Using planning apps and first hand accounts, tech artist Bridle has visualised some of the buildings which …

    February 1, 2015
  • Interview: John Virtue

    Since the days of King Cnut, few public figures can have had such an impossible relation with the sea. In the paintings of John Virtue the viewer finds themselves lost in the surf. But each work represents the most fleeting of moments, as waves break quicker than the hand can sketch. And this artist’s hand …

    January 27, 2015
  • Quentin Bell, May Day Procession with Banner (1937)

    For many on the Left, the Spanish Civil War may have been a somewhat romantic affair. But it soon turned into an epic disappointment. It was a disappointment on the scale of WWII. Pallant House in Chichester is currently showing the first exhibition devoted to British artists during the Iberian conflict. It makes a good …

    January 8, 2015
  • Cathedrals of Culture (2014)

    Of course, buildings cannot have souls. We are cannot even install them in computers. But a new 3D film by six directors, which began life as a TV series, sets out to demonstrate the improbable. You have to admit these are personable buildings. The roving cameras are accompanied by first person voiceovers which bring us into the …

    January 2, 2015
  • UK exhibitions: January 2015

    Happy New Year to readers everywhere. Here’s the first of a monthly round up of shows in (usually) public sector spaces around the UK. So, if you’re in Britain in January 2015, you won’t want to miss… Grace Schwindt: Only a Free Individual Can Create a Free Society, Site Gallery, Sheffield, 10 Jan – 28 Feb. …

    January 1, 2015
  • Tom Dale, Rock on Standby (2014)

    The LED blinks on and off. We could be here a while. As deep history has shown, a rock like this can take its own sweet time to breathe forth life, or yawn and swallow us all. Just whose hand might go to the remote to activate a 80kg lump of sandstone? Would it be a …

    December 18, 2014
  • Barbican Estate, Chamberlin, Powell and Bon (1965-76)

    There are two Barbicans, we soon learn on a tour of the East London council estate: the multi-purpose arts centre; and the mysterious residential units which sell for seven figure sums. Most visits to the former involve passing beneath the latter. But there is so much more to this brutalist landmark and unlikely home than …

    December 14, 2014
  • Nick Davies, From Tippex Forms (i-iv) (2014)

    It’s a curious thing. It is hoped that not many typos find their way from this keyboard onto your screen. But a recent blog post for Bad at Sports had at least three. My very bad. What made it strange was that the subject of my review, Nick Davies, has been doing fantastic things with …

    December 10, 2014