Itâ€™s a curious thing. It is hoped that not many typos find their way from this keyboard onto your screen. But a recent blog post for Bad at Sports had at least three. My very bad.
What made it strange was that the subject of my review, Nick Davies, has been doing fantastic things with Tipp-Ex and hence capitalising on mistakes like mine, but those made in another age.
Here you see a sculpture made from Mistake Out, as it was first called. Note the petri dish; it looks to have been grown here like a stunted GM tree and not painstakingly painted into existence.
But of all the forms which dried Tipp-Ex could take, this tree is the most appropriate, as if Liquid Paper emanated from a liquid forest. (Without wood pulp weâ€™d not have needed it.)
And this petrified grove, for there are a groupÂ of these sculptures, bring together the lab, the office and the gallery. All of which are implicated with the desolate whiteness of the plantlife.
True, we have made some mistakes. We have signed away logging rights for far too many real trees. We have polluted seas and killed off coral reefs, which also come to mind.
Itâ€™s a major oversight. If only we could go back in time and erase a few thousand pen strokes. But Tipp-Ex was only about ameliorating office life, not life on the planet in general.
Now we have the delete button. Thanks to which, and to cut and paste, writing has become a kind of collage. And so it moves closer to art or at least to artfulness, and to the covering of tracks.
But mistakes just donâ€™t seem to go away. There are social media users who post as quick as they can think and comment leavers oblivious to their crimes against grammar. Bloggers make howlers.
We’re really getting sloppy, and itâ€™s a growing problem, like one of Daviesâ€™ spectral trees. Which just brings up the title of the artist’s handmadeÂ book, The Principal [sic] of Limited Sloppiness.
He borrows the maximÂ from scientist Max Delbruck: “One should be sloppy enough so that the unexpected happens, but not so sloppy that one can’t figure out what has happened afterwards.”
This holds true for conceptual artists as much as scientists. So proceedingÂ with a Tipp-Ex mindset might nowÂ be the best way forward. The book, by the way, is immaculate.