Browsing Category: contemporary art

  • Photo diary: Marrakech Biennale 5

    I lucked out with this: a press trip to the fifth Marrakech Biennale. Having never before visited North Africa, culture shock kicked in before we had even checked in at the (palatial) hotel. As you see from this piece of guerilla marketing, the event asks ‘Where are we now?’. On my first night I was …

    March 7, 2014
  • John Skoog: Redoubt (2014)

    As if they know what awaits them in adult life, children are drawn to castles, fortresses and hideaways. This was also perhaps the case for John Skoog. The Swedish artist tells me he grew up 40 minutes from the mother of all imaginary dens: a bunker, made in response to WWII, which took one man …

    February 12, 2014
  • Tala Madani, Reading Light (2013)

    At the risk of over analysing a good joke, it’s worth considering this painting by Tala Madani. It’s as funny as anything in her scurrilous UK survey in Nottingham. The dude with the erect torch, well, in his mind he’s a sex god. He appears to think that red shaft is a part of his …

    January 28, 2014
  • Chris Watson and Iain Pate, HRAFN; Conversations with Odin (2013)

    Two myths converge in an evocative piece by a sound recordist and a producer. The first myth concerns the most powerful Norse god and the second myth could concern you. HRAFN will be staged in Kielder Forest, Northumberland, with support from the Forestry Commission. The artists reveal that Odin owned two pet ravens: Huginn and …

    January 23, 2014
  • Sam Ayres, Work Programme 28

    When even the pawnbrokers are strapped for cash, you know we are in trouble. This sign, using poor materials, was a focal point in Sam Ayres’ recent show at CAC. Other exhibits included a local church made from cardboard boxes and thatched with the pages of homeless-vendor magazine Big Issue. The slates had apparently been …

    January 20, 2014
  • Charlie Billingham, Port Tack (2013)

    A market in ancient Greece is distinguishable from the art market, but by less than you might think. In both you find the free circulation of ideas along with goods and services. Like any auction house, the agora was a place of assembly. It had a political role as much as a commercial one and …

    January 16, 2014
  • Work Programme at CAC

    “Unfortunately, this being East Germany/Gert patriotically volunteered to be sent on a labour/Beautification course of the countryside north-west of Dresden/And never seen again.” * There is something punitive about Work Programme at the gallery known as CAC. At time of writing we’re on edition 28, and more than 27 souls have already pitched in and …

    January 13, 2014
  • criticismism’s top posts of 2013

    Tis (still, just) the season to be jolly and certainly the time of year for lazy reviews of the past 12 months. And should that review be in the form of a listicle, well all the merrier. So here, in case you were wondering, are the most popular posts on criticismism in 2013: Number 5: …

    December 31, 2013
  • Found Objects 24/12/13

    Is it the 24th already? In that case it’s time for some festive Found Objects. Many many thanks to anyone and everyone who has ever read this blog and season’s greetings/happy new year. I ramble. We kick off with a wintry art quiz by Jonathan Jones at the Guardian. I only got seven out of …

    December 24, 2013
  • The finite charms of the Chapman brothers

    In a book you can be fairly sure the Chapmans have read, A Thirst for Annihilation, philosopher Nick Land reports on the encounter between American GIs and the mass graves of the Nazi death camps. If memory serves me right, many of the liberators, upon encountering piles of unburied bodies, said they experienced a rush-like …

    December 17, 2013